Archive | April, 2010

Man In A Cat Diaries YouTube Channel

For fear of this becoming the Man In A Cat /Popcorn /Man In A Cat blog, we’ve set up a new YouTube channel dedicated to any behind the scenes interviews, ‘making of’s and in-progress linetests. Subscribe to it at: http://www.youtube.com/AllConsumingLove.

In other news, I got me a big lightbox! A lot of scenes could do with being cleaned up in A3 and I want something proper to draw on. Here’s the evolution of my (until now) homemade lightboxes. That little one is still my trusty companion. His name is Arthur. The red one is Gordon, named after the then Chancellor of the Exchequer. This new one is secondhand but I didn’t catch it’s name. I’ll have to take it to the vet to find out what sex it is. What do you think?

In unconfirmed news we have a very lovely producer attached, plus I’ll be sharing some new offices to get me out of the house and stop me becoming the summery equivalent of Jack Nicholson in the Shining. More on that later.

Here’s a little making of to show us out:

Popcorn Comedy, The Victoria, Thurs 22 April 2010

We’re back at it again this month with Popcorn Comedy at The Victoria on Thursday 22nd April 2010.

Doors will be 7.30pm, for an 8-10pm show.

Tickets are £5 (£4 Concessions) and you can book them at popcornbrum.eventbrite.com, or on the door, but as there will be limited capacity pre-booked tickets will get dibs on seating.

As usual we’ll be bringing some funny new videos from the internets, and are quite excited to be able to host The Penny Dreadfuls and Matthew Crosby. Here’s some more info on them:

The Penny Dreadfuls
are Edinburgh Festival regulars with a penchant for Victoriana, who have been broadcast on BBC7 & Radio 4. They’re currently working on their new show ‘The Never Man’ which marks their first show set in the 21st century.

Matthew Crosby is best known as part of award winning Pappy’s Fun Club, having their own shows on Channel 4 and Radio 4. Matthew is renowned for doing stand up in his own right and is a very clever fellow indeed.

Here’s some videograms as an appetiser:

Events

Man In A Cat is Commissioned!

Start the fanfare please Freddo!


We’re amazingly chuffed to say that out of over 130 proposals All Consuming Love (Man In A Cat) has impressed Screen WM and the UK Film Council enough to become one of the final 6 commissioned films! It’s not all that often you get to be completely self-indulgent on a project for 6 months, especially with the support and backing of some the most experienced people in the country.

So far we’ve had to be fairly hush hush about the development process, if only because we’d look like wankers if the film never actually took off, but now would be a nice time to say thanks to the people we’ve met and who have helped us get here.

The process up to getting commissioned has been fantastic. Before that development process it was getting hard to know what to do with the story. On the first day of development we met Kate Leys, who just with a few anecdotes and case examples, completely opened our eyes to the art of story telling. That was really empowering.

I also had the priveledge of bashing out ideas with Camilla Deacon of Lupus Films and about 15 other talented animators in London. That was really invigorating and affirmed a lot of what we’ve been learning over the last 3 months. Big thanks to The Square for seemingly unlimited chocolate, fruit, coffee and some quite spiffing toilets! Not unlimited toilets. That would be incredible… ANYWAY.

Simon Flynn and Dan Lawson from Screen WM, and June Goldrei on behalf of UK Film Council were in charge of commissioning the final films. They had the balls to see that this could work, and their notes and questions have made sure the story has developed in a very nurturing and understanding way.

Overall, we’re really thankful that we’ve been given the chance to make this unsual and edgy film, and that everyone involved were nuts enough to with the idea in the first place. Now we’ve got to hammer out the last few kinks in the script without desmantling the whole thing, get the look of it all completely pinned down, get some communal office space/therapy for me, and round up some amazing talent to help out with the project. All within the next couple of weeks if we’re to have a good chance of finishing this by the end of August! Ha ha ha!… Oh my God.

Recommence the fanfare please!

Wait! Is that…? Nah. Couldn’t be. Doesn’t matter.

Things we learned by hosting Popcorn Comedy

We hosted our first live event last month in the shape of video and stand-up night Popcorn Comedy at the Victoria. We’d done one before at the Electric Cinema last October, but that time we’d had the helping hand of Popcorn’s founder Jon Petrie.

This time it was just us. It was a really great night and we learned a lot about running a night. Here’s some of the things we learned (or already knew) and will be putting into practise for the next Popcorn Comedy on April 22nd.

(By the way, we’re not claiming to be experts. These are based purely on our experience)

1. The Venue

  • The capacity a venue says it has is not necessarily accurate. Check for yourself.
  • Get solid agreements on things like hardware, chairs and staff.
  • Double-check your tech specs. Need a certain cable? Make sure you have your own.
  • Set up the room as early as possible.
  • Think about lighting, music, intermissions and anything else to improve the atmosphere before, during and after the show.
  • Make a customised playlist for background music.
  • Make sure bar staff know when the doors open.
  • Most venues can offer free venue hire if you can assure them they’ll make money on drinks/food through hosting your event.

2. The Tech

  • Make sure you know what each act needs tech-wise, (ie cables, hardware, disc formats).
  • Make sure cables are long enough to be accessible to a technician and/or the acts.
  • Test everything early, and then check it again. You may need to run to Maplin.
  • Remember to turn things like glitter balls and stage lights off before the show, especially if showing films. Easily forgotten.
  • Test playing any DVDs all the way through beforehand (sound + picture). If pausing a DVD player for any length of time, check that it won’t time out/play a screensaver/switch off.
  • Always have a backup DVD.

3. The Crew

  • You’ll need at least three people. One to be a technician, one to greet/take money, one to look after the acts/fetch things/make sure the audience is ok.
  • Define people’s roles so everyone knows what they’re doing.

4. The Acts

  • Book them well in advance.
  • Get an idea of what they’ll be doing in advance. Tech specs, arrival times, payment, etc.
  • Give them a detailed idea of where they need to be, when they need to be there, when they’re going on, how long they have, and when and how they’ll be paid.
  • Offer a complimentary drink or two as a courtesy.
  • Always pay comedians after they’ve performed, some are superstitious about being paid up front. Good knowledge.
  • Get them to sign a form to say they’ve been paid.

5. The Audience

  • Let them know the format, the timings and what they can and can’t do.
  • Ask for applause, especially for film showings. Otherwise there won’t be any.
  • If there’s a bar, direct people to it before the show, at the intermission, or afterwards.

6. Marketing

  • Get listed on as many online listings sites as you can with the same blurb/info.
  • Simple flyers with date, time, venue, price and acts are good. Get them in lots of venues.
  • Make sure you have a good poster/flyer presence in the event venue.
  • Posters elsewhere aren’t really worth it. They’ll be taken down.
  • Facebook event page/fan page is a must. Keep messages to an effective minimum.
  • Twitter also a good way to let people know. But keep it light and conversational.
  • Sell tickets online through something like eventbrite to get an idea of numbers and pre-sell.
  • Invite someone to review/take photos. They’ll be useful for promoting your next event.
  • Pass around and collect mailing lists around in the interval.

7. Other bits

  • Get a money box and make sure you have a sufficient float if taking cash.
  • Eat well before the event, you won’t have a chance later.
  • Don’t drink too much.
  • Don’t disobey the last two points in conjunction.

So there you go. If you’ve got anything to add, put it in the comments.

Hopefully we’ll see you at the Victoria on the 22nd!